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    Re: Welcome to Rennteam: Cars and Coffee... (photos)

    Just WOW.

    I absolutely LOVE the active aero with all the different modes.  Downforce at 50 mph without running off the bump stops at 200.   WOW!


    --

    Mike

    918 Spyder + Tesla Roadster 1.5 & Model S P100D AP2 + Panamera Turbo S E-Hybrid +  BMW Z8 + BMW 3.0 CSi + Bentley Arnage T


    Re: Welcome to Rennteam: Cars and Coffee... (photos)

    Welcome in your New Year with the glorious sounds of a 4.0 Flat-Six Porsche Motorsport Engine in the championship winning Porsche 911 RSR at Sebring... Smiley

    191F9C9F-DEB7-47B2-B036-F409A8E654F0.jpeg

    “Say hello to 2020 with the trumpet of the gods.

    In the first of a multi-part feature captured in collaboration with Porsche North America, we have in-car audio from the glorious Porsche 911 RSR to offer, taken from the tail of the championship-winning IMSA GT Le Mans machines during practice for the 2019 Mobil 1 Twelve Hours of Sebring.

    Anticipating the arrival of the new 911 RSR with its side-mounted exhausts, we wanted to preserve the cry of the original 911 RSR, done by placing our recorder just above the screaming 4.0-liter flat-six engine's rear-facing exhaust fury. For this episode, you're riding with Nick Tandy, Patrick Pilet, and Fred Makowiecki in a race they'd go on to win!”

    Link: https://marshallpruettpodcast.com/

    ...turn up the volume and enjoy the sound of Porsche Motorsport! Smiley


    Re: Welcome to Rennteam: Cars and Coffee... (photos)

    Wow!  Now that’s street and track presence.  


    Re: Welcome to Rennteam: Cars and Coffee... (photos)

    A Sunset (Boulevard) Porsche 911 Safari...

    Matt Farah, ’87 3.2 Carrera, 2019, Porsche AG

    Meet automotive journalist Matt Farah’s solution to urban travel...

    (4 January 2020)

    Not all city cars are born equal. Well, not according to world-renowned automotive journalist, Matt Farah. Shortly after moving out to the west coast of America from New York, Farah realised that the crumbling infrastructure in LA made his daily drive more like an expedition down a back-country trail than a traditional city commute. From the monstrous expansion joints on Interstate 405 to the cracked roads in downtown Venice Beach, only his Baja inspired pick-up truck was capable of smoothing out the various lumps and bumps. 

    ”Although we are blessed with places like the Angeles Forest and Malibu Canyons, two of the finest places on Earth to drive a sports car, the city itself is a nightmare,” Farah explains. “The infrastructure is crumbling, repairs are rarely thorough, the freeway expansion joints are a sports car owner’s worst nightmare, and for a city as ‘spread out’ as LA is, it’s awfully crowded all the time. It can be a real challenge in low, modern sports cars.” 

    ’87 3.2 Carrera, 2019, Porsche AG

    Which is why his Raptor pick-up with its off-road suspension set-up and huge sidewalls was, as he puts it, a “gamechanger”. But of course, while Baja-inspired trucks ride well, they’re ultimately too unwieldly for tight city streets – even in car-friendly LA. So what was the solution? For Matt, the answer was easy: “I wanted something like the Raptor, but smaller, so the obvious answer was a rally car. Once I drove Leh Keen’s personal Safari 911, it was like a light bulb moment.” 

    "For a city as ‘spread out’ as LA is, it’s awfully crowded all the time. It can be a real challenge in low, modern sports cars.”   —  Matt Farah

    A two time Grand Am Rolex GT Champion and lifelong Porsche fanatic, Leh Keen has spent the last half a decade designing and building Safari 911 for people who want the ultimate go-anywhere vehicle. Matt, being a rather well-connected chap, got the opportunity to drive Leh’s first Safari build (that’s right, car No. 1) for his show on the /DRIVE network and although Matt admits the concept, “is totally different to what most people think you should be doing with a 911” he was sold. “I sent him a deposit check almost immediately afterwards.”

    As part of what is known as ‘The Keen Project’, Leh is happy to either source a donor car for the customer (the base car must be a G-Body 911 from 1979 to 1989), or they find their own. Matt went with the latter option as he wanted to choose “the colour, the year and the interior.” 

    For Matt, it was particularly important to have a 1987-1989 G-body with the G50 gearbox as “it has a more direct shift feel”, so he settled on an ’87 3.2 Carrera in striking Cassis Red; a rare and retro hue that he decided to preserve with an Xpel car wrap, rather than repaint – something the majority of buyers choose to do when moving to a rally spec. 

    ’87 3.2 Carrera, 2019, Porsche AG

    It was a decision Matt wasn’t sure about at first: “The colour was actually a bit of a controversy. I had originally planned to paint any car I found Dalmatian Blue, which is probably my favourite Porsche colour of all time. I was just looking for any clean coupe with a G50 gearbox and straight body. As luck would have it, the guy I bought the car from was not exactly Annie Leibovitz, and photographed the car at high noon, which makes Cassis Red look horrific; like Cyndi Lauper’s lip gloss. I was sort of down on the colour on Instagram and said I was going to paint it, which caused a bit of a ruckus with the purists. It was priced cheap and seemed to have nothing else wrong with it. When I got there to pick it up and saw that the colour was actually incredible, I decided immediately not to paint it. I frequently get ‘I told you so’ from the fans. Honestly, I’m gonna take some credit for the fact that Cassis Red is cool again.” 

    After finding his unusually pristine donor car, it was shipped straight out to Keen in Atlanta for a new interior and the fitment of the Baja-inspired hardware. The parts list reads like a Tamiya brochure: bash bars, skid plates, rally light pods, shaved side door mirrors, tucked bumpers, Braid motorsport Fuchs wheels, Elephant Racing Safari suspension, a Quaife limited-slip differential and BF Goodrich K02 tyres – the same tyres, coincidentally, that are used on his pick-up truck. 

    ’87 3.2 Carrera, 2019, Porsche AG

    For the cabin, Matt opted for what he describes as an aggressive interior design: “Leh actually found the commercial grade LA city bus fabric and when I saw it, I was sold almost instantly. The car came with factory Burgundy full leather, and was in incredible condition, so we were able to retain the headliner, door uppers, dash upper, and base carpet. We were nervous if the bus fabric was going to work with the Burgundy leather, but it worked out. The hardest part was the matching leather MOMO Prototipo steering wheel; apparently it took the guy like 20 tries to make it work, and I had a temporary black steering wheel for like six months. But it’s basically the Pasha concept really turned up to crazy, and it’s also super functional because that fabric is designed to last 20 years in a bus; it’ll probably outlast the rest of the car”. 

    After some engine work on its return, the car was ready for the road. The finished build couldn’t be further removed from what most drivers would consider to be a ‘city car’, but for Matt, it is perfect. “It is literally my daily driver. I recently loaded three bushels of firewood behind the rear seats. I mean – it’s not meant for attacking the canyons or going to the racetrack, it’s meant for going to the shops, driving to my office, running errands and then taking to the dirt for some fun. It really is the best parts of a Baja truck and the best parts of an air-cooled 911.” 

    It seems city cars don’t have to boring. They just have to be fit for LA’s urban safari.

    Matt Farah, ’87 3.2 Carrera, 2019, Porsche AG

    Article Link: https://www.newsroom.porsche.com/en/2020/sport-lifestyle/porsche-sunset-safari-matt-farah-87-3-2-carrera-19561.html

    Matt Gets His Keen Project Safari 911! City First Drive!

    Video Link: https://www.youtube.com/watch?v=aTl4iK0AuVU

    Smiley 


    Re: Welcome to Rennteam: Cars and Coffee... (photos)

    Hans Mezger: The creative spirit

    Whether playing the piano, painting or constructing a racing engine – Hans Mezger's repertoire is wide-ranging, resulting in brilliant technical compositions.

    (7 January 2020)

    Hans Mezger, 911 Turbo, 1975, Porsche AG

    “At Le Mans in 1969 we were a whole lot faster than the competition with the 917. If the transmission housing hadn't cracked, we would have won comfortably.” Hans Mezger on the first Le Mans outing of the still-fledgling 917.

    Hans Mezger, Porsche AG

    When a motorsport fan recalls a list of the outstanding designers of race cars and racing engines, not many names come up. However, one is always among them and for many fans and experts he is the top name: Hans Mezger, designer of the air-cooled six-cylinder boxer engine of the Porsche 911, overall designer of the 917 and its V12 with a 180 degree bank angle, and creator of the TAG Turbo Formula One engine. Hans Mezger and his portfolio of work have long since become legendary. But first things first. Hans Mezger was born on November 18, 1929 in Ottmarsheim, a small village near Ludwigsburg on the outskirts of Stuttgart. The youngest of five children, his parents ran a country inn.

    Art and culture were very important to the Mezger household. “Almost everyone in our family had a talent for painting and played a musical instrument," says Mezger, looking back on his childhood and youth. "I found life exciting and attended elementary school. I was interested in becoming all kinds of things, from a musician to a physicist.”  Aeroplanes and flying also fascinated the young Hans from an early age, and he occasionally undertook a trip to Kirchheim/Teck with a group of gliding enthusiasts from his neighbourhood, where he would watch the bungee launches of the school’s glider, the SG-38, with fascination. “I really wanted to fly myself, but I was still too young then,” he remembers.

    Peter Falk, Hans Mezger, Helmuth Bott, Rolf Stommelen, Huschke von Hanstein, Joe Buzzetta, Hans Herrmann, Vic Elford, Gerhard Mitter, Daytona, 1968, Porsche AG

    Daytona 1968: Peter Falk, Hans Mezger, Helmuth Bott, Rolf Stommelen, Huschke von Hanstein, Joe Buzzetta, Hans Herrmann, Vic Elford and Gerhard Mitter.  

    “Maybe it was the champagne, but we had a lively discussion about whether the Porsche engine or the McLaren chassis had won the first Grand Prix. We joked and found that the word ‘Engineer’ was after all derived from ‘Engine’.” Hans Mezger on the first victory of the McLaren TAG Turbo in Rio de Janeiro 1984. 

    Hans Hönick, Hans Mezger, Eberhard Storz, Helmut Heim, Rolf Schrag, 1960, Porsche AG

    Hans Mezger: (second from left) In 1960 with the first Porsche 753 Formula One engine and his colleagues Hans Hönick (above the engine), Eberhard Storz, Helmut Heim and Rolf Schrag. 

    His graduation in 1956 was accompanied by a veritable flood of job offers. “There were 28," he says, "but Porsche was not one of them. But I wanted to join Porsche, because the Type 356 sports car inspired me. So I applied, was invited, and the company offered me a job in tractor development. But I envisioned working on sports and race cars. Fortunately, that worked out in the end, and I started in the calculation department at Porsche.”

    First drive of the TAG Turbo in the McLaren chassis, 1982, Porsche AG

    Hans Mezger (on the right by the car wearing a white shirt) when John Watson first drove the TAG Turbo in the McLaren chassis on June 29, 1982

    Things then happened one after the other, so to speak. Hans Mezger gained his first experience with the four-camshaft engine, developed a formula for calculating cam profiles and became part of Porsche’s first Formula One project in 1960. He was involved in the development of the 1.5-litre eight-cylinder Type 753 as well as the corresponding chassis of the 804. “The company was still so small at that time, there was quite a lot of overlapping work and the staff working on the engines sometimes also worked on the chassis,” says the 89-year-old.

    Hans Mezger, Peter Falk, Ferry Porsche, l-r, 1962, Porsche AG

    Ferry Porsche (right) became a role model for Hans Mezger. Here he is depicted together with Peter Falk (middle) at the Solitude in 1962.

    Then came the world-famous 'Mezger engine' for the 901 and 911 and, in 1965, the promotion to head of the racing development department created by Ferdinand Piëch. This department was the key to a new quality and dynamism in motorsport for Porsche. It was an exciting, wild time in the mid-1960s. "Sometimes we also worked around the clock," Mezger says. "For example, when the so-called Ollon-Villars-Spyder was created in just 24 days in 1965." With its construction of a tubular frame and fibreglass body, it became the blueprint for all the race cars that were built in the years to follow.

    Porsche also relied on this design principle for the development of the 917 in 1968. With the 917, the first overall victory for Porsche at Le Mans was now finally possible, and once again Ferdinand Piëch relied on the skilfulness of Hans Mezger, who took over the overall construction of the vehicle and its 12-cylinder engine. In 1970 and 1971, the 917 dominated at Le Mans and the World Sportscar Championship; in 1972 and 1973, the 917/10 and 917/30 showed the way in the CanAm series thanks to turbocharging –  technology that Mezger and his team brought to series production in 1974 in the form of the 911 Turbo.

    Niki Lauda, Hans Mezger, l-r, 1984, Porsche AG

    Niki Lauda translated Hans Mezger’s TAG Turbo design into victory in the Formula One World Championship in 1984. McLaren and the Porsche engine won 12 out of 16 races at the time and Lauda became World Champion by just half a point ahead of his teammate Alain Prost.

    Many other victorious developments followed: for the 24 Hours of Le Mans, the World Sportscar Championship and the US Indy series. But perhaps the most outstanding project took off in 1981 when Ron Dennis and his McLaren racing team set out in search of a powerful turbo engine. In the end, Porsche was chosen and the decision was made to design and build a completely new engine, as well as to provide on-site support during the races. Again, Hans Mezger was the creative mastermind behind the 1.5-litre, V6 engine with an 80 degree bank angle, which would produce more than 1,000 PS later in the race. In 1984, Niki Lauda became world champion with this, and again in 1985, followed in 1986 by Alain Prost. The team also won the two Constructors’ World Championships in 1984 and 1985. “This was a tremendous success and, at the same time, the most important development contract for Porsche from an external company,” adds Mezger, who retired in 1993 and is still closely associated with Porsche today.

    Link: https://newsroom.porsche.com/en/2020/history/porsche-911-hans-mezger-creative-spirit-18921.html

    Smiley


    Re: Welcome to Rennteam: Cars and Coffee... (photos)

     A few interesting comments from Michael Mauer... Smiley

    Michael Mauer, Head of Design at Porsche

    8D5863EC-51F6-492B-A522-83298ADEBBF9.jpeg

    Most Porsche love affairs start with an awesome drive. This one, with a pencil and a piece of paper. Ever since Michael Mauer was a young boy, he knew he wanted to draw cars. Well, Porsches really.

    Which he eventually managed. And more. After his car design studies in Pforzheim, Mauer immediately secured a job at Mercedes. He contributed to several models – including the A-Class and SLK – became head of design at Smart and then moved to Saab in Sweden. Things could not get any better after he was hired as Porsche’s design director in 2004. Except they did. In 2016, Michael was promoted to lead the design activities of the entire VW group, alongside his task at Porsche.

    The job would be too vast for one man. But not for Mauer. He’s as charming as the loveliest Smart, as dedicated as the weirdest Saab, as comforting as the biggest Mercedes, yet as focused as the wildest Porsche RS.

    ‘Being a car designer is the world’s nicest profession for car nuts like us. Working at Porsche is even better. But designing a 911 RS? That’s the ultimate level of excitement. It’s the one assignment my entire team fights for. I never have to ask them for proposals for an RS. The guys in the studio spontaneously do it. That’s one reason why we don’t employ special designers for RS models. It would be too demotivating for all others.’

    Mauer proudly shows the current 991 GT3 RS in the Kesselhaus in Munich’s Motorworld. Once an industrial boiler room, it is now a concert hall and fancy gathering place. And an inspiration, apparently.

    ‘Everything is for a creative mind. I just love how such old buildings come back to life by combining new and vintage elements. It’s fascinating to decide what’s worth keeping and what needs to be rebuilt.’ Like with the design of a new 911, almost.

    ‘Porsche’s design philosophy is clearly based on the past, and our approach is more evolutionary compared to other carmakers. Our history is even more important for hard-core models like GT3 and GT3 RS. During the design process, we always park all previous RS models in the studio, although we absolutely want to avoid ending up with a sort of replica.

    We already finished the design of the Porsche 992 – the successor to the current 991 – and just started on the 992 GT3 and GT3 RS. It’s a bit early to say, but we might stretch their look a little further than usual. While defining the base 911, we already have the sporty spin-offs in mind. If we change the proportions of the 911 – as has happened with the 991 – we immediately take into account that the Turbo will be even wider. Knowing that the GT3 and GT3 RS will probably use the side panels of the Turbo, we also leave enough space for added wings, front and back. Sometimes, we have a very exciting idea for a bumper, but judge it as too much for the base model. We then let it digest for a while, and after a few months consider it again for the Turbo or the RS.’

    Because each RS is highly influenced by engineering, the design process is quite different compared to a “normal” Porsche, if such an animal exists in the first place.

    ‘Everybody in this industry loves to talk about “agile teams” and “agile development”. But the way our design team and Andreas Preuninger’s racing division collaborate for an RS really creates a special momentum. His squad doesn’t do anything according to official processes. They just test on the track, where the driver gives direct feedback to the engineer, who straight-away talks to the designer. Because these procedures differ totally from how a regular production car comes together, the designers are over the moon with excitement and utterly motivated to find the best result.’

    What could be a clash of egos turns out to be an alliance with nothing but winners. ‘For the limited edition of the 997 4.0 RS with 500bhp, Porsche immediately understood it needed extra downforce. The bigger rear wing and the small front deflectors wouldn’t be a designer’s natural solution. But I like it a lot that such projects show a certain roughness around the edges, which wouldn’t be accepted on any other 911. And then it turns out they have an aesthetic value of their own.’

    Today’s GT3 RS is asphalt grey with yellow calipers, Mauer’s absolute favourite combination.

    ‘It’s so tasteful, if only because the contrast with the black parts isn’t as outspoken. Looking at how the front spoiler moves into the fender on this latest RS, there’s a disconnection with a little offset because the fenders are wider. No designer would ever start like this. But it happened for reasons of efficiency, and it gives the car a nice touch of brutality. The extra opening above the front wheels for additional downforce would never be proposed by our studio from the beginning, either. However, by collaborating and searching for a solution which works well for design and engineering, we come much closer to the old axiom of “form follows function”.’

    Mauer is a designer. He obviously prefers simplicity. ‘I’m very much into pure and reduced shapes. While we more or less managed to integrate the rear spoiler into the design on a GT3, that’s a no-go for an RS. These are totally driven by ultimate track performance. It’s nice that the rear wing on a GT3 is quite organic as a shape, but I love the race aesthetics of the wing on the 997 GT3 4.0 RS. It’s less stylish and more functional.’

    And then there’s the 911 R, the apple of Mauer’s eye. ‘When I bought a GT3 for myself, I had a coffee with Andreas Preuninger from the special division and told him I dreamt of making a sort of “sleeper”, by removing all the spoilers and added aerodynamics from a GT3. The end result would seem to be a normal 911, while it’s anything but. It’s kind of cool when nobody sees how exceptional it is, apart from a few experts who can spot the different exhausts or whatever. Andreas had already been chewing on such a concept ... the idea had touched a sweet spot. Considering they were dreaming of reviving the R in one way or another, while our design department produces free proposals yearly – like a GT3 convertible and a spoiler-less GT3 – a common brainstorm eventually led to the R.’

    Mauer is very happy with it. Yet, at the same time, he’s not. ‘Sadly, I couldn’t get hold of one, whereas it’s absolutely my kind of car. If you take away the stripes, 90 percent of onlookers will not recognise it. The R also has a manual gearbox, which I prefer on public roads. On a track, I’d rather have the PDK, though. I’m not a world champion-type driver, and the PDK just makes me feel better about the level of my skills.’

    Since Mauer has the world’s best job, he’s parked a few Porsches in his private garage.

    ‘I bought a 997 GT3 because it was the first Porsche designed under my responsibility. When I joined the company, the base model, convertible and turbo versions of the 997 had been done, and we initiated the work on the GT3 and GT3 RS. To me, the division between GT3 and GT3 RS makes a lot of sense. The differentiation is quite big, which creates a nice offer for our customers. It’s clear what each of them stands for. I prefer the GT3 on public roads, but I clearly fancy the GT3 RS on the track. If we’re not talking about track performance, the 997 GT3 is my pick, if only because it’s smaller. Which obviously was our aim for the 992. Not saying it will actually be more compact, but it will certainly seem less big.’

    Because no man of good taste can ever own enough 911s, Mauer also enjoys himself after working hours with a very special one.

    ‘I’m building a 964 convertible with an RS flavour, slightly commemorating the idea of the first Speedster. It’s a 911 that has never existed. It’s totally understated and a bit rough, just like an outlaw.’ It’ll be his Sunday morning partner.

    ‘I love old cars. They feel fast at reasonable speeds. I bought a 1984 G-model but quickly realised it was too old for me. The 964 offers the perfect compromise. It’s modern yet looks like the old one. It’s my favourite design.’

    Mauer is as friendly as a boy scout, but his humour can be a little rough around the edges. It might well be his refined way of saying things, if the bare truth hurts too much. After all, he’s the world’s most important car designer, since he has so many brands under his responsibility.

    ‘I don’t feel like that at all, however, and my task differs considerably from what my predecessor, Walter de’ Silva, had to do. While he influenced each individual car of the entire group, my job is more strategic. Our CEO, Matthias Müller, leads this concern in another way and gives a lot of confidence to the management of each brand. I apply the same strategy for design. I just overlook it, search for synergies and coordinate everything. And I interfere – or help – if one brand doesn’t evolve in the right direction.

    I also provide the design philosophy we established at Porsche, since it’s so highly valued by our management.

    Every six weeks, all our brands propose their novelties at big design reviews. Although they might have to go back and change the design if I don’t like it, I still see my job mostly as assisting my colleagues, and supporting them against the finance or marketing departments. I also communicate constantly. In a creative business, it helps a lot if you talk to each other. So I organise days for the design chiefs, just to discuss whatever what in a relaxed atmosphere. I don’t believe so much in harsh competition. I prefer to inspire.’

    ...thanks and all due credit to Michael Mauer at Porsche! Smiley


    Re: Welcome to Rennteam: Cars and Coffee... (photos)

    Porsche TV Commercial for Super Bowl 2020: “The Heist”  1554541446878image.gif

    Video Link: https://www.youtube.com/watch?v=92sXWVxRr0g

    Smiley


     
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